Showing posts with label cultural heritage. Show all posts
Showing posts with label cultural heritage. Show all posts

Tuesday, December 27, 2011

An Open Letter to the Christmas in My Heart


So, it is Christmas in my heart.

It is four days of continuous celebration with the family and friends. It is thousands of pictures taken with my camera and iPad and other cameras owned by the other members of the family. It is lots of traditional Finnish Christmas food, loads of new games played on a game-player. It is Skyping and social networking to keep up with the friends and family who did not make it here. What a difference the Internet has made! Most importantly, it is wonderful conversations with the loved ones who are here. It is figuring out where everybody fits to sleep. It is catching up with everyone on everything that the gone year has bought their way.



The ingredients for the perfect Christmas celebration

The first ingredient is gathering the family from all over the world to one place; from Australia, UK and Finland. It is enduring the long flights through China and Amsterdam and then driving the hired cars for hours in the frozen roads to the destination. It is four generations of people speaking tree languages brought together by the ties of love and family. It is complete mayhem and a wonderful mix of personalities from the one year old to the great-grandma.



The second ingredient is building the Christmas tree. This one is a real Norway Spruce (Picea abies) with cones, brought in from the snow by the favorite broughter-in-law. It has the right kind of smell to it. It requires an engineer's touch with mounting the candles to make it safe. It needs everyone's input to become the perfect symbol for the celebration. And it asks for continuous adjustments and attention throughout it's existence until it is taken away in the new year.



The third ingredient is shopping for the right presents for everyone. It is the Secret Santa gone completely wayward as the presents pile up when 'Joulupukki' brings them and gives them away. It is the thought that counts and there are lots of love shared around. It is the little things from the healthy lifestyle to educational toys.

The fourth ingredient is the music and singing. It is a mix of Michael Buble, Karita Mattila, Gurrumul, HeviSaurus and the traditional Christmas songs, sang by the celebrating group in two languages, the goal being to sing every song in the book and succeeding. It is the sound of all the voices in harmony and joy.



The fifth ingredient is the visit from 'Joulupukki' on the Christmas Eve. Everybody knows that all the Scandinavian kids have intimate knowledge of what the Santa and the Elves look like. They do not have to relay on hearsay. It is Joulupukki himself answering those hard questions right then and there, like how did you get here even though there is no snow? The answer being that the rain-deer does fly, so there is no problem, there.



The sixth ingredient is the sauna and dressing up in celebration. It is those who are bros with it having experienced the Finnish sauna tradition from their birth and those who are being introduced to it. However, it is an important part. It is the experience of being clenched in mind and the spirit.




Mixing of the ingredients

In my experience the best way to mix the ingredients for a perfect Christmas is an appreciative attitude and unhurried space. Everyone is eqully responsble for creating the right kind of Christmas cheer which provides the best of everything for everyone.

What is fantastic in it, is that it is possible to take the best of all the Christmas traditions from each one participant and mix them creatively to form new traditions but with the same flavor that the old ones had. Forming new traditions is the exciting part in bringing together people from different cultures and celebrating the best of the best of everything.

In this new age of forming relationships and close connectedness of everybody, it is wonderful to see the young and the old feeling that nothing was lost but lots were gained by it.

- Posted using BlogPress from my iPad

Thursday, July 14, 2011

How to Bake a Finnish Style Layered Party Cake?


Recently I was looking for some pictures to take with me to my holiday to Europe.

I am visiting family and engaging in some compassionate traveling by finding locations that inspire compassion in action.

In some old piles of pictures, I found several that were of the cakes we have made over the years. Most of them have been decorated by my daughter who has an excellent eye for tasteful looking decorations.



I came to think that finding the pictures should mean something. That I should share the art of the Finnish style party cake making with everyone.

In Australia, there is a great variety of styles for cake making. People like them sweet, dry and moist, fruit filled or just plain. One of the most popular cakes in Australia are Lemmingtons, small square sponge cakes covered with chocolate and coconut. They are eaten at every occasions. They are sold for fundraising, too. They are easy to make and do not cost much.

A sponge cake is the base of the Finnish or Scandinavian style layered party cake.

This is my simple recipe for the cake base.

One class full of eggs
One class full of white sugar
One class full of plain flour. I substitute approximately 1/3 of the class with potato flour to make the sponge fluffy.

Beat the eggs and the sugar until it is fluffy and white, add the flour and ster. Bake in a cake tin in 225 celsius temperature for 10-15 minutes

I cut the cake in three layers and moist it with pineapple juice from the crushed pineapple can. I also use the pineapple in the filling.

There is an ongoing discussion going on about the moistening of the cakes. Some people like to use rum, others use milk. I prefer the juice because it gives the cake an edge with it's taste which blends well with anything.

I blend bananas with raspberry jam for filling on top of the pineapple.

There is another ongoing debate about the filling. The most exotic of the Finnish jams is Claud-berry (lakka). Many people like it a lot and use it in their cakes. It is a matter of taste. So everybody should experience with their favorite fillings.

If you like chocolate filling then 'Nutella' and cream is a really tasty variation for a filling. Then I use milk to moisture cake layers.

The most important part of the cake is the decoration. The Finnish cakes are covered with whipped cream and decorated with whatever is available. In Australia we decorate them with exotic fruits.


The first cake pictured in this blog is the birthday cake that has been baked for my younger daughter's 21st birthday in Finland this month. The filling is of caramel and cream and it is decorated with caramel. The two other cakes are some of our Christmas cakes in Australia. They are decorated by my older daughter and add the huge selection of Australian fruits to our Finnish tradition.

Experiment and Enjoy!


- Posted using BlogPress from my iPad

Wednesday, December 8, 2010

Contemplating Santa Claus and the World Christmas Traditions

”Joulupukki, joulupukki,
valkoparta, vanha ukki.
Eikös taakka paina selkää,
käyppä tänne, emme pelkää.
Oothan meille vanha tuttu,
puuhkalakki, karvanuttu.
Tääl on myöskin kiltit lapset
kirkassilmät, silkohapset."





Finnish people are very fond of Santa, ‘Joulupukki’(yo-lu-puk-ki) as we call him. Every year I am asked why I still believe in Santa and what does Christmas mean to me. Most years I end up giving a talk or being interviewed about the Finnish Christmas traditions. Every year I do a little research to the subject of Santa from the metaphysical or perennial wisdom point of view.

I have a special connection with Christmas as I was born just on the verge of the Christmas Eve, which is the foremost celebration day in the Scandinavian Christmas tradition. My grandfather was born just a day before me and a very close friend who then lived right next door right on the Christmas Eve. I always connected the birthday cake as a part of the Christmas tradition. It only occurred to me to ask my mother about in when I turned 40. She assured me that the cake was for me and not for Jesus as I had suspected. I should have known that as our Christmas always started on my birthday with the tree decorating.

Being born right at the Arctic Circle, in the city where much of the the winter tourism is reliant on the experience of Santa Claus and the image we have on the old elfin traditions and where my father was very involved in the development of the representation of the Arctic Circle Cabin (Napapiirinmaja), it is not a wonder why I feel so strongly about Santa and his presented reflection in the world.







The Christmas celebration is a serious business in Lapland. Next year the Rovaniemi University of Applied Sciences will offer a year long course on Christmas Elf profession. The Ear Fell Mountain as a preferred place of home for Joulupukki was already established during the 1920’s through the children’s radio program Uncle Markus, where he declared this location ideal for Santa’s secret abode. From there he could hear if the children would be naughty or nice.





In 1950 the first Arctic Circle Cabin (or Roosevelt’s Cabin) was built in honour of Eleanor Roosevelt’s visit to Rovaniemi and then on served to encourage tourism to Lapland where the war had destroyed everything. I once (1986) organised a Barbie Doll Exhibition at Napapiirinmaja and one year (1994) I was even employed as the Mother Santa up at the Ear Fell Mountain where the eco-tourism brings people to experience an alternative Christmas. I can still smell the smoke on my coat from the hearth and the coffee we served to the appreciative tourists on the -40°C freezing cold mountain.

My metaphysical thought process on the spirit of ‘Yule’ (Joulu in Finnish) or Joulupukki (Santa) started quite early in my life. One boost was a discussion I had with my then 5-yearold son in the early 1980’s. He asked me how long I thought that Santa would live. Since I was on a philosophical mode I answered that as long as he thought to believe in him. His response was: “Ah, that’s just like God!” No more discussions needed on that subject, I thought.




During the 1990’s, I once picked up a book called God. What the Critics Say? One of the quotations that pricked my mindscape is from a writer, P.J. O’Rouke and it states:
“GOD is an elderly or, at any rate, middle-aged male, a stern fellow, patriarchal rather than paternal and great believer in rules and regulations. He holds men strictly accountable for their actions. He has little apparent concern for material well-being of the disadvantaged. He is politically connected, socially powerful and holds the mortgage on literally everything in the world. God is difficult. God is unsentimental. It is very hard to get into God’s country club.

SANTA CLAUS is another matter. He is cute. He’s non-threatening. He’s always cheerful. And he loves animals. He may know who’s been naughty and who’s been nice but he never does anything about it. He gives everyone everything they want without thought of a pro quo. He works hard for charities and he’s famously generous to the poor. Santa Claus is preferable to God in every way but one: there is no such thing as Santa Claus.” (Wroe, 1992)



Interestingly Patrick (O’Rouke) agrees with my son that God and Santa Claus can be discussed in the same context. I myself was shocked to the core the first time, after moving to Australia, I witnessed the Santa Claus singing ‘Hallelujah’ with angels on the Sydney Opera House stage. I have always felt that Joulupukki is a separate but similar spirit. Apparently O’Rouke is also suspicious and skeptical about the possibility of empathy and compassion in the human world as defined by his threatening and powerful image of God. Further on it seems that he is only acquainted with the Coca Cola image of the Santa Claus and doesn’t believe in the possibility of the real spirit underlying the concept. This is all fine but let’s just for the arguments sake discuss the Joulupukki (Santa Claus) I know.

Let’s start with the Finnish and the Scandinavian Joulupukki or Jultomte (in Swedish). The Scandinavian folklore blends into the traditions of ‘Yule Buck’ (Joulupukki), the threatening figure of the Norse god Thor riding the sky in a chariot of two goats demanding cooked goat flesh as gifts from people and the God Odin (the father of all gods) in his long blue-hooded cloak riding the skies on his eight legged horse bearing gifts to the needy.




In Finland ‘Joulupukki’ retained his name while in Sweden he changed to ‘Jultomte’ (Yule Elf) or in Norway to ‘Julenisse’ again blending with the old elemental elfin folklore traditions. In the Finnish tradition sometimes he would be dressed in goat skins as Nuutipukki with horns to frighten people, judge the behavior of the children, sometimes giving them sticks instead of gifts. In December there would be big festivals to ward off him. Nuutipukki who carries on the tradition of killing the goat on the last day of Christmas, is still well blended to the Joulupukki imagery in Finland. In Sweden it is now mostly represented by popular ‘julbock’-decorations made of straw.

The fact that Santa actually visits the homes of the Scandinavian people during the Christmas Eve gives a possibility for everyone to observe his (and possibly his wife’s and elves’) appearance personally and from that evidence state that there are great varieties presented in that field, from the old fur coat tradition to the newest freshly designed and commercial Santa outfits. Even the odd Father Frost representing the Russian tradition might be observed. But whatever the appearance the personal experience of receiving gifts from Santa overrides the possible threat of the unknown.

One reason for the diminishing status of the old Scandinavian pagan traditions came from the long reigning Lutheran Church in Scandinavia, where Martin Luther at the same time as rejecting the Catholic imagery of St Nicolas wanted to strengthen the role of Jesus as a centre of the celebration and as a gift bearer. The tradition tells a tale (not true, but efficient) that Luther was especially fond of the tree as a centre piece. He brought one home and decorated it with candles to represent the stars on the sky.

Clara M Codd wrote in her book The Way of the Disciple:
“Once define an ideal in words and it loses its reality; once figure a metaphysical idea, and you materialize its spirit.” (Codd, 2000)

The development of the imagery of spirit of Santa Claus took a life of its own and slowly changed to what we know now. We can look at that reality from what I know of Santa Claus, Joulupukki, Nuutipukki, Jultomte, Julenisse, St Nicholas, Knecht Ruprecht and others.







While taking into consideration the Christian imagery of St Nicolas, the picture of the Santa we know now in the world is mostly flavored by two popular artists, namely Thomas Nast and Haddon Sundblom, the first a creator of jolly Christmas cards in 1880’s and the second the creator of the red-cloaked Coca Cola Santa of the 1930’s.

In Scandinavia Jenny Nyström was the one single artist who blended the old Scandinavian elfin folklore and the Norse Edda tradition into the popular leading character of the Jultomte during the 1940’s. The modern design of the Arctic Circle’s Joulupukki’s outfits also bears resemblance to the Russian Father Frost’s attire.



The Santa we know has borrowed qualities from everyone of his inspirational ancestors and modelled them to suit his modern day image in whichever country he is residing. It seems though that influential global images are working on the Santa very strongly.
But it is still possible to detect the trends:

• Compassion and gifts come from Odin, St Nicolas and Christ
• The eight reindeer resemble the Odin’s eight legged horse
• The sleigh comes from the Thor’s Chariot
• Riding the skies also comes from the Norse myths, both Odin and Thor (sky gods)
• The intricate attire is from the Odin’s cloak just changed colour
• The elfin tradition carries on from the elementals that build the atoms from the protons and neutrons to create matter and can thus create any gifts, a kind of elemental nano-technology
• The fear the Santa carries on from our respect to the higher spirits or gods that were felt being volatile and from the Yule Buck as a goat pagan tradition
• The Christmas tree is the symbol of fertility
• The red colour of the Santa’s cloak is the colour of fertility
• Excessive eating comes from the great variety of fertility traditions

I cannot really agree that an idea we as humans have spent ions in shaping into an agreeable image for our use, an idea that compasses compassion, charitability, goodwill, generosity, laughter and love towards those who are underprivileged, especially children is nothing. It certainly is something to believe in and develop further. It should be seen as work in progress rather than a non-possibility. Just because it also encompasses our modern day materialistic ideals in the need to actually physically buy gifts, create beautiful luscious and otherwise perhaps useless decorations and live in excess for a while, doesn’t mean that it should be dismissed without deep contemplation.

The conclusion to this comes again in the words of Clara Codd:
“Thus the mind is the creator of thought-forms, symbols. A true symbol – as the Greek derivation of the word suggests – is a pointer, a signboard, indicating where, if we have the intuition to follow, we may discern something of that Reality which the symbol depicts.” (Ibid)

Let’s commemorate the old and create something new in our own Christmas this year. Let the spirit of ‘Yule’ connect us to one another and the world we live in once more.



References:
CODD, C. M. 2000. The Way of the Disciple, The Theosophical Publishing House.
WROE, M. (ed.) 1992. God. What the Critics Say?: Hodder & Stoughton Religious.
http://www.hs.fi/kotimaa/artikkeli/Rovaniemellä+voi+opiskella+tontuksi/1135231558458 accessed 13/11/2010

Also some other worthy sites:

http://www.examiner.com/international-travel-in-orlando/christmas-traditions-europe-odin-and-the-celebration-of-yule?sms_ss=facebook&at_xt=4cfa123dcc18a7ec%2C0

http://www.tunturisusi.com/joulu/kuvittajat.htm

http://www.santatelevision.com/

http://www.santaclauslive.com/

The Santa Pictures in this blog are from:
1. Arctic Circle, Santapark, Finland
2-5. Different types of Santas visiting my home over the years
6. Nuutipukki from Satakunnan museo, Finland
7. Swedish Julbock
8. St Nicolaus
9. Father Frost, Moscow
10. Nast Santa
11. Coca Cola Santa
12. Nyström's Jultomte
13. Santa from Ylläs, Finland

Saturday, November 27, 2010

Celebrating Childhood Memories Contemplated in the Light of Sciences and History of Ideas Versus Modern Film and Literature.

“A history of science is rich in the example of the fruitfulness of bringing two sets of techniques, two sets of ideas, developed in separate context for a pursuit of new truth, into touch with one another.”
(J. Robert Oppenheimer)








For the last week on Facebook (FB) people have been celebrating childhood memories. FB users have been encouraged to change their profile to their favourite childhood characters, either from literature, art, films or cartoons and such. Many of my friends have taken up the challenge. I have had a number of interesting discussions about our memories with my colleagues and friends, starting from “I don’t remember any of my toys or characters” to “such a wonderful childhood we had!” My friends are displaying a variety of characters on their profiles. I am noticing some culturally bound adaptations, though. But apart from that, this great multiplicity just proves that as people are individual as personalities, so are their childhood memories as represented by the characters they choose.




Lately I have also been reading a lot about the function of the brain and neuroscience in how our worldview keeps changing in accordance of how we experience our reality. Applying my new knowledge on brain neurons and their effect on our development and the role of childhood memories on our lives I am asking myself how the childhood characters we grew up with have influenced what we have became as adults.

I would say that over the years of maturing I have moved from Astrid Lingren’s Pippi Longstocking and Tove Janson’s Little Myy (because of the Finnish voice of the actor) combined with Mary Poppins as a movie character as my most memorable figures to Moomin Mum’s contemplative approach and Mrs Banks’ determination to save the world. However, much of it is still in relation to yet another memorable character, namely their ‘bag of tricks’.




I distinctly remember that sequence of the Mary Poppins’ musical where Mary opens her bag and takes out the lamp and other furniture to decorate her room. This similar scene was nearly copied by Hermione, in the last instalment of The Harry Potter movie series, where she opens her small beaded handbag and takes out the whole tent and camping equipment. I particularly have always admired the Moomin Mom’s handbag, where she finds what is necessary to fix anything and everything from sorrows to fun. Pippi’s bag of gold coins given to her by her father is the strait forward, no nonsense, representation of the modern world where money can short-circuit a lot of efforts for survival. No magical trick needed except for perhaps the adventurous spirit to find a historical shipwreck full of treasure. This kind of endeavour might not prove to be an easy task any more in the world where everything is already mapped quite extensively.

However, the bag of tricks remains in my mind a metaphor for daring to reach into the subconsciousness and look for out of the box ideas for new approached to solving problems presented to the world we live in.

It was a wonderful week to focus on such things from the childhood memories point of view. Now that Christmas is coming we might find a new ways for compassionate attitude to spread around the world. Here are some references on Pippi Longstocking you might be interested in:



Gaare J and Sjaastad Ø. 2002, Pippi & Sokrates, Filosofiska vandringar i Astrid Lingrens värld. Smedjebacken, Sweden. Natur och Kultur

http://www.dannelseskaravanen.dk/int_conference/socrates_pippi.htm

http://www.paideia.org/docs/research/AnnPihlgrenDissertation.pdf

Enjoy!

Saturday, November 20, 2010

Remembering the Finnish Women Migrants to Australia during the Last 60 Years

Recovering old archives of my research to Finnish women’s life stories and their assimilation process in Australia

The original reason of why I came to Australia in 1995 was to conduct research on the Finnish women migrants to Australia. I had been accepted to do PhD studies with the University of Helsinki, under Professor Anto Leikola’s supervision in the General History Department. My accepted research title was A Comparative Study on the Situation of Scandinavian Born Women’s Assimilation to the Australian Society. A Study on how they keep their ethnic and cultural identity. (Vertaileva tutkimus Australian suomalaisten naisten sopeutumisesta ja suomalaisen kulttuurin säilyttämisestä).

For ten months we, my daughters and I, travelled around Australia interviewing mainly Finnish women and collecting hard data in a way of questionnaires. We landed in Cairns and visited Tully and Townsville. From there we went to Mt Isa for a month, then to Alice Springs, Adelaide and Melbourne. We stayed two months in Wollongong and Sydney area and then after another month’s stay at Mt Isa, we settled to Brisbane.

I interviewed 63 women, mostly from the Finnish background, spanning well over 40 years of immigration in Australia, conducted seven group discussions, had approximately 90 questionnaires filled, connected to other researchers, held seminars about my work and sang in every city to various groups of people who were willing to participate in my research project. In April, 1996 I presented a study paper on my research to that date at the 6th International Interdisciplinary Congress on Women in Adelaide.

Then we decided to stay in Australia permanently, and after a year, I deemed the distance to Finland too far to travel to and from, and boxed my research while waiting for new opportunities to carry it further. The new life took over and I shelved the research in my mind as well until a couple of years ago when the subject of my research came up in relation to my work and return to university. I ransacked our garage and took out the boxes and the floppy discs, the cassettes containing the interviews and related materials. It is amazing how quickly the technology of last decade gets old and outdated and it is hard to recover old research materials. But I did start to do it anyway.

Recently the subject came up again in relation to further studies and I was asked if I had in fact done some research for my PhD studies. So, out came the boxes and amongst it all I found a recording of the talk I gave when presenting some of my research at the 6th International Interdisciplinary Congress for Women in Adelaide on April the 26th, 1996. The title of my paper is: Some Experiences of the Nordic (Finnish) Female Migrants in Australia; how they have survived and keep up their ethnic identity. The paper includes ten life stories of the women I found interesting and who had emigrated from the Nordic countries to Australia during the 1950’s to 1964.

I was really curious of what I had said fifteen years ago as I didn’t even remember there was a recording of the presenting of the paper. So, I loaned a cassette player from an old friend and scripted it out and here it is. I have shortened it and modified the language. My paper might be of interest to someone currently doing research on immigration or collecting stories of women who have migrated to Australia or other countries as a comparison. It might be of interest to know that there have been others doing such research not so long ago.

Here are the basics of my talk in 1996 [April, Adelaide]

I’ve done a study on the Nordic women’s experiences in Australia. The reason I chose to interview particularly the Finnish women was because I was captured by their pioneering flavoured stories during the 70’s, when I was living in Mt Isa and also because no-one else has bothered to do so, so far.

When I first came to Adelaide to interview the women here, the notion of lesser importance was expressed by a woman who said to me [1995]: “Are you really interested in us women? Wouldn’t the male storied be more appealing?”

On the research method

At first when starting with my research, I thought that I could tell the Nordic women’s storied as a group but quickly found that it is not possible. I’ve grouped them according to their time of arrival to Australia. I’ve named them the 50’s [1951-1964], the 60-70’s [1967-1975] and Newcomers [thereafter], according to the ethos of the times when they arrived. (Now a days I could categorise the later group as the 80’s-90’s).

In this paper I am concentrating on the women from the 1950’s. And why is this? Because I was particularly captured by the early storied from Mt Isa and their inspiring character.

In my research I have mainly used the in-depth interview method [63 single interviews and 7 group interviews]. I have also collected hard data by the way of questionnaires [89].

At the same time, it has been somewhat of an anthropological study. [With my daughters and my family, we settled to Brisbane and went through the process of becoming Australian citizens.] I can compare my experiences in Australia as a teenager and now.

Who are these women?

In the group of women included in my paper [the 50’s], I have 41 interviews from the Finnish and Swedish speaking women migrants to Australia [1950’s to 1964].
The Finnish community in Australia is very close knitted and their experience has not been recorded because they do not cause any major problems. This is to say, from the government’s point of view.

There are about 17000 Finns and their descendants in Australia. Most of them came here between the years 1950-1975. Then the laws changed [the Australian government financial assistance schemes ceased to exist] and the newcomers have a completely different experience from the earlier arrivals. The whole Nordic ethnic population in Australia amounts to around 50000.

The common appearance makes it easy for the Nordic people to settle to Australia. We pass off as British if we don’t open our mouths. We have fair hair and blue eyes. The Swedish speaking learn English very quickly, except for the pronunciation of the letter j. The community holds close ties to each other and do not feel they need help from other groups. They are quite invisible as a group and as a whole when it comes to migration research.

A very brief historical background to Finland and migration and the position of women there

The area we now call Finland has been under Swedish rule until 1809 and then it became autonomy under the Russian rule. In 1917 when Finland declared independence the Finnish women had had a vote in local government since 1899 and in federal government since 1901.

Until the 1950’s Finland was characteristically an agrarian society. It was the last Scandinavian country to be industrialised. This quickly occurred after the WWII and during the 1950’s.

Every time during the history, when the times were ‘bad’, the Finns would emigrate. Presently, there are around 5 million Finns around the world. Many of the Finnish communities are quite old. Approximately 200-year old communities can be found for example in Ingermanland, Sweden, Norway, USA and Canada. They often keep their Finnish language up to the third and fourth generation and also preserve their Finnish customs.

How about the sample of the Australian immigrant women?

Most of the women in the 50’s group I interviewed come from the rural Finland, only two are from the city. They all have had their primary education [except the children] and are literate. Compared to many other groups immigrating to Australia, they are well educated. Two have secondary education. Most of them followed their husbands to Australia in order to keep the family together.

‘Tuovi’ (name changed for privacy reasons) is a typical one. She still can’t understand why her mother was so angry with her when she moved to Australia with her eight children. The morning after our interview, she came to further discuss the issue with me saying that she had been thinking about that question all night.

“I mean I had no say. My husband, who rarely did anything [meaning that he usually never showed any initiative for anything] decided that we would go after reading an article in a magazine about this other family who had moved. Within two months, he had organised it all, sold our house, and everything we owned. I didn’t even get to take my rug mats with me, only one suitcase per person. My mother stopped talking to me for two years. I mean, she should have understood. She never had any say herself. That is the way we were brought up, to follow our husbands.”

One of the main deciding factors for emigration to Australia was the articles published in the Finnish papers and magazines about the families leaving for Australia. Many families settled to Brisbane because during the Melbourne Olympics a famous Finnish sports commentator referred to Brisbane as the best place in the world. For many, that was their only information about Australia.

Although the decision to leave Finland was not theirs, the women were no victims to their faith and eventually took control of the situation. ‘Tuovi’ says: “Well I said to him, [husband] after we moved to Mt Isa and he was working in them mines.” Her husband had tried all kinds of jobs in several locations around Australia, from cane cutting to factory work while she lived in Brisbane with their eight kids. “Now we stay”, she demanded. “I put my foot down and said that we are not moving anywhere, before our children are out of the school. The pay check, every fortnight, was a real comfort. We never had that on the farm in Finland.”

Two thirds of the women I interviewed took a positive view after the move and many felt that anything is better than working the farm in Finland.

What did the women do in Australia?

They surely cleaned a lot of houses and businesses. They have worked in the factories and they have made sausages. Most of them [28] were at home taking care of their children. Each family had from 3-8 children and then there were other people’s children to care for.

Their efforts and they interests are all concentrated on the Finnish community, and their church, either the Pentecostal church or the Finnish Lutheran church or the various Finnish Associations. They job has been to maintain the Finnish heritage for their families, and do a lot of handicrafts.

English language skills

Their children have learned the English language and lost their Finnish skills in the process. This has generated a huge gap between the generations.

The Finnish conversations have often been limited to ordinary daily utterings like “would you like more milk” and such. The children’s Finnish is really bad and the parent’s English is if possible even worse. And I am talking about today [1995]. These women and their husbands never assimilated in a social sense to Australia. They for example never read Australian newspapers. They have lived all of their lives in Australia relying to the knowledge of their children or someone else who could speak English.

But of course for example in Mt Isa, where there were over 2000 Finns in a community of about 25000. And this was so the whole time between 1964 and 1974, at least or even longer (I left from there in 1975). So you didn’t have to speak English. Everywhere someone could be found who would speak your own language. And I remember how after coming to Mt Isa at the age of 16, after two weeks, I was interpreting for people who had lived there for 30 years. My grandfather never learned English; his daughter has never learned much English and her husband and their children spoke very poor English and Finnish.

How are they now? [In 1996]

Of the women I interviewed most are happy now. Except for a very few, they are widows and have survived their husbands and can do what they want. This they feel is a real blessing. They concentrate on their grandchildren and can freely visit Finland whenever they want. After 40 years, they have unanimously decided that their life was a good experience. They are not the same women who left Finland. They have learned unselfishness along the way and feel that if they had stayed in Finland they would have been more selfish.

The impact of the Finnish migrants on Australian society

The Australian community near where they live has learned to eat ‘pulla’. That is the Finnish sweet bread. And they have also learned that there are these people who, despite + 40° of Celsius, heat up this little room to + 80° and sit inside of it, naked and trow water on hot stones and think that it is wonderful.

I look at these women and see that they are just like everybody else who adjust to their situation which in many cases was intolerable.

In closing I’ll tell you ‘Anni’s’ story:

She came to Australia, through Finland from Karelia in the early 1950’s. She had been forced to leave her original home because of the war, when Karelia was overtaken by the Russians [Soviet Union]. She already lost everything she had once before coming here.

In Australia, she and her husband recreated their Karelia. Her house looks exactly like the houses there before the war. Singlehandedly, she built here house here, restored all the furniture and sewed the five meters tall red velvet curtains.
She has a dog, called Nelli, who is the size of a tea cup and has a velvet cushion. She also bakes the best Karelian rice pies I’ve ever eaten.

As her occupation she tells me, a cleaning lady. She cleaned in a nearby factory and everyone called her by her first name. Her job description is a little peculiar for a cleaning lady, though. Besides cleaning the factory, she also built the factory museum because she deemed it important for everybody that the history of the factory be told. There also, she restored furniture, built all the display cabins for the artefacts. She even restored the old saws and the woodworking tools.
Because she decided that the men who were supposed to do the interior painting in the factory did not do a good enough job, she also did the paining.

She told me that the ovener of the factory was happy with her and basically let her do what she wanted. She also told me what her wages were. I can only say that the director seemed to be a very honest and wise man when it came to his relationship with Anni. He employed her as a ‘cleaning lady’ and paid her very high wages. Her work was never acknowledged, though. She wasn’t looking for recognition. Her husband was well recognised as an artist in the community.

It gives me great pleasure to tell you about her in this conference. Here we can celebrate her and other gifted immigrant women who have come to this country.

As a conclusion to this posting I’d like to say that...

If anybody is interested in this kind of research, please tell me. I am really honoured to have been able to interview so many interesting women of Finnish background who have lived in Australia. Many of the people I interviewed have passed away, just like the people in the accompanying photographs but their memories linger on and are shared by their descendants, even though the next generation might not speak their language so well.

So, if you suddenly find that it is the melancholy tunes you like, it might be your Finnish background lurking, trying to tell you to find out more about your ancestry.

Sunday, August 15, 2010

On the importance of transferring cultural ethnicity to the next generation

Comments on ‘Finnishness’ as a cultural identity in transformation in multicultural society such as Australia

As a discussion on how we can best transfer our culture to our grandchildren in multicultural Australia (see my June blog posting on volunteering as grand parenting), I received a book from Finland. It is written by Laura Kolbe, a professor of European history at the University of Helsinki. The book is called IHANUUKSIEN IHMEMAA [roughly translated: The wondrous wonderland]. The book discusses the concept of the modern Finnishness in the global context by seeking insights through contemplating on the history of the construction of ‘Finnishness’ during the last two centuries. It is a good and easy read, well recommended for those who want to gain more understanding of the issues concerning transferring ethnicity and culture. It is a very personal contemplation on culture in relation to the author’s experiences as a much sought authority on Finland and Finnishness. As I am someone who has identified my ethnicity as Finnish in the Australian context, reading the book raised several interesting issues on how and what it is that is important to consider as transferable to the next generation.

To me one of the highlights of the book was the author’s discussion on culture as being “that what is left when everything else is taken away (Kolbe, 2010, my translation).” According to Laura Kolbe, a person who is ’cultured’ is someone who”knows his/her own culture, is interested in learning more and knows the proper etiquette. When necessary a cultured person also acts as a re-creator of traditions (Ibid, my translation).” In the context of the multicultural Australia, I would then ask what one would best choose as representing one’s ethnic culture to be transferrable to the next generation.

Another interesting issue Kolbe raises concerns branding of a country. How would one identify a country’s brand? How would a country sell itself in a global market? Laura Kolbe belongs to the Committee of Finland Brand development [Suomen brändivaltuuskunta], set to work by 2008 Foreign Minister Alexander Stubb. As members the Committee has a number of Finnish intellectuals and the deep discussion has been aided by Simon Anholt, who is considered a world’s leading political advisor on the Country branding concept(Ängeslevä, 2010). They have considered what would make a leading country in the world imagery. Their report is expected at the end of this year. As a Finn in multicultural Australia, holding a double citizenship, I see different motives in transferring one’s ethnicity to the next generation as part of creating culture of family life in Australia and finding a representing image of one’s ethnic country to ‘sell’ in a global context.

If I were to ‘sell’ Finland as a brand in Australia, I would probably agree with the panel of the 2009 Finnish TV series ‘Suomi myytävänä’ [Finland for sale] that the winners would be Kalevala, sauna and Joulupukki [Santa Claus]. Promoting them as uniquely Finnish would be something which defines my ethnic brand from others. This does not mean in any way that they would have been originally Finnish. Finnishness as Kolbe concludes is a ‘liberal-educated’ construction anyway. Their unique Finnish expression would be the selling point. I have sang Kalevala lyrics and Kanteletar inspired folk songs enough in the Folklore tent at the Woodford Folk Festival in Queensland and at the Canberra National Folk Festival to know that it is this unique way of singing that people stop to listen. It might be a re-creation but it sells the brand. Sauna might be historically only a survivor of the old Roman and European tradition in the Finnish environment (Korhonen, 1993), but it is a living tradition supported by etiquette and modern custom. I do not know a Finn in Australia, who would not have access to a sauna either at home or some other way. And the secular, but not utterly consumerism absorbed ‘Joulupukki’ [Santa] as a Finnish brand is very near to my heart as a person born in the Finnish Lapland.

On the other hand what I choose to work on transferring to my grandchildren as traits of uniquely Finnish ethnicity in multicultural Australia is defined by my personal experience as a Finn in the global context. This kind of experience I also try to share with for example my daughter’s and son’s in-laws as part of our mutual culture exchange. The general goal is to re-create our family culture to fit our life in Australia as an ethnic Finnish person and as an Australian. The most important aim is to celebrate the many shades of our heritage as natural parts of our everyday living experience. The winners there, as I see them, are:
• the Finnish language as an important communication tool,
• the sense of Swedish language as part of my bilingual Finnish experience
• the importance of ‘Suomi-koulu’ [the Finnish School] as a builder of one’s identity in multicultural society,
• the general experience of ethnicity as an accepted part of everyday life,
• traditional Finnish foods as part of general food culture,
• celebrating Christmas Eve and a real Joulupukki’s visit as the main event in the Christmas tradition
• Sauna as an experience
• Finnish music experience
• A double citizenship which assures access to Finland and Europe as a travel and work experience destinations

What I want to transfer to the next generation is the experience of openness, the sense of freedom as a global citizen. Personally most important to me as part of my Finnishness in multicultural Australia is my membership in the Ethnic Communities Council of Queensland (ECCQ) and in the QLD Health Multicultural Advisory Group, the sharing of my ethnicity with other people and my efforts in making sure that all those who define their ethnicity first as other than Australian are included as natural part of the Australian experience. In my work as a community development enthusiast I want to ensure that the Community Care Organisation I work for provides a platform and an equal opportunity for community participation for every member of the community.

In his book Finland, Cultural Lone Wolf, Richard D. Lewis descries culture as “the collective programming of the mind (Lewis, 2005).” He talks about the multicultural experience as a conscious effort of ‘broadening our horizons’. It includes taking in the other’s views, making them part of our own experience. According to him a multicultural person “seeks to strive towards “totality of experience”.” For a Finn, a sense of separateness is a cultural collective experience. Discussions on cultural relativism in arts and literature were an important part of the historical process of finding political independence for Finland as a nation (Ibid & Kolbe, 2010). Still, as I recently learned at a conference (see my previous posting on high ideals and community building basics), the sense of separateness is an illusion. “All is connected. It is a scientific fact”, said Dr P Krishna, an Indian Professor of Physics, in a recent talk.

I see it as an asset that in a multicultural society like Australia, we are able to ‘broaden our horizons’ by including great variety of cultural experiences in our daily life. It will hopefully give our grandchildren a more secure foundation to build their own identity.

Some of the things I have already done to ensure transferring and sharing this unique cultural heritage of Finnishness in the Australian context has been:

The familiarity of the landscape
I have consciously chosen to build a house (a Queenslander) next to a just completed lake.







Christmas

I have shared my Christmas traditions with my daughter’s in-laws









Sauna

I have moved some gnomes from Finland to my sauna and my granddaughter had her first sauna experience at the age of two months with me and her mother.






Pulla

I have introduced my English daughter-in-law to baking ‘pulla &korvapuusti’ [Scandinavian sweetbread] in London on my recent visit there.





The Finnish social contacts

My granddaughter has been introduced to the Finnish community in Brisbane during 2010 European Summer solstice picnic [Juhannus-piknikki]




As a hint of where to start with the small children also read
Tatun ja Patun Suomi [This is Finland] (Havukainen and Toivonen, 2007)

I look forward to sharing and discovering many more cultural exchange moments with my family, friends and the environment




References:

HAVUKAINEN, A. & TOIVONEN, S. 2007. Tatun ja Patun Suomi (This is Finland), Keuruu, Otava.
KOLBE, L. 2010. IHANUUKSIEN IHMEMAA Suomalaisen itseymmärryksen jäljillä, Helsinki, Kirjapaja.
KORHONEN, T. (ed.) 1993. Mitä on suomalaisuus, Helsinki: Suomen Antropologinen Seura.
LEWIS, R. D. 2005. Finland, Cultural Lone Wolf, London, Intercultural Press, A Nicholas Brealey Publishing Company.
ÄNGESLEVÄ, P. 2010. Mies Suomi-brändin takana. Suomen Kuvalehti,23/07

Friday, June 25, 2010

Volunteering as grandparents to build social capital in our community

Recently, I completed an academic literature review titled: “Is a Volunteer a Philanthropist?” It explores the relationship between volunteering and philanthropy as concepts. It seeks a simple answer to the question.

The review finds that no such simple answer to the question can be found and thus continues to explore what kind of volunteer is a philanthropist by categorising the available literature in different discourses in relation to volunteering and philanthropy. I found 13 different categories in four different discourses that could define a volunteer a philanthropist or not. Only one of the categories, the ideological volunteer actually did qualify as a philanthropist without any additional fittings.

One of the most difficult questions in volunteering seems to be if an immediate family member is qualified as a volunteer when providing services or time to another member of their own family. Particularly the role of a grandparent as a volunteer in their own family comes to mind.

It is interesting, in my opinion, as very often the family consists of only the parents and the children. In some countries the grandparent, particularly grandmother is counted as part of the family and in others not so. There are two interesting articles and one book I found which would be considered to discuss informal volunteering by parents or grandparents (Petriwskyj and Warburton, 2007, Khalil, 2004, Prochaska, 1988).

I am also reading articles on grandparenting as such that can contribute to this discussion. Coall and Hetwig have done a huge overview in the grandparental investment from the Darwinian point of view (Coall and Hertwig, 2010) . Eric Uslaner looks into our cultural heritage as a bearer of the trust factor in our life and finds that the people from the Scandinavian background are the most trusting people in the world (Uslaner, 2008).

I’d like to hear from anyone who is interested in volunteering and grandparenting from a cultural point of view or just as an interest. My question is how in a multicultural society like Australia, we can preserve or transfer our heritage and culture to our grandchildren in order to help to bring them up as healthy and balanced human beings?

References:
COALL, D. & HERTWIG, R. 2010. Toward an integrative framework of grandparental investment. Behavioral and Brain Sciences, 33, 40.
KHALIL, E. L. 2004. What is altruism? Journal of Economic Psychology, 25, 97.
PETRIWSKYJ, A. M. & WARBURTON, J. 2007. Redefining volunteering for the global context: a measurement matrix for researchers. Australian Journal on Volunteering, 12, 7-13.
PROCHASKA, F. 1988. The voluntary inpulse: philanthropy in modern Britain, London, Faber.
USLANER, E. 2008. WHERE YOU STAND DEPENDS UPON WHERE YOUR GRANDPARENTS SAT: THE INHERITABILITY OF GENERALIZED TRUST. Public Opinion Quarterly, 72, 725.

Thursday, June 24, 2010

About Becoming ‘Mummu’ (Grandmother)

I am passionate about building social capital for my community, the world community and the humanity at large. This passion shows in many ways. Due to recently becoming a grandmother, I now have a passion for finding out how to be a good ‘mummu’.

Currently I am researching the available academic literature on the subject, asking questions about grand motherhood from all my friends and colleagues and applying all this into everyday practice. I am determined to be a ‘mummu’ with everything it means, taking into account my cultural background, (Finnish), my academic background in philosophy and history and my current connections with the world of nonprofit and philanthropic business, community development and community services.

The warning is out there. It is possible to go to extremes with this subject. I am totally delighted to do so; going overboard and to eccentrics is the main endeavour in creating healthy grandchildren and having fun in the process.

I have started ‘Iidan Kirja’ (Iida’s Book), which is a memory book for my granddaughter about her Finnish heritage. I have joined GenesUnited to explore her family genealogy and done Google Scholar searches about the famous people with her name and decided on a project on multicultural grandparenting in the Australian context. I have purchased a picture frame, an analogical way of preserving the changing images of my granddaughter, and I have a ‘bragging album’ to show her pictures to everyone, who just might mention her name in any context, anywhere, anytime. Last but not least, I am applying the “strategic planning’ method to grandparenting, like all the good new Baby Boomers are supposed to do according to Edwards and Stearne’s book on Intentional Grandarenting: Contemporary guide (Edwards & Sterne, 2008).

This is just how a grandmother should be, I’ve heard. I am doing it all! My ‘mummu’ did it, my grandmother did it, my mother is doing it as an greatgrand ‘isoäiti’ and I will do it as yet another generation of women is embracing the grandmotherhood in their own time, in they own way, in their own style, in their own language. And I’ll continue as more grandchildren appear.

Reference :
Edwards, P., & Sterne, M. J. (2008). Intentional Grandparenting: a contemporary guide. Toronto: Fulcrum Publishing.